Flemish Minister Sven Gatz has commissioned Dirk Braeckman to represent Belgium at the 57th international art exhibition La Biennale di Venezia. For his solo exhibition in the Belgian pavilion, Dirk Braeckman will present exclusively new works. The exhibition will be curated by Eva Wittocx, and it will be organized by M - Museum Leuven. The 57th Venice Biennale runs from 13 May until 26 November 2017.
In his enigmatic photographs, Dirk Braeckman (1958) creates a closed, isolated world in which combines tactility and texture, distance and intimacy. His monumental works tell us nothing; yet they suggest entire stories. Braeckman reflects on the photographic image and challenges the illusions of the medium. In his creative process, the artist experiments with textures and materials.
He examines effects such as over- and under-exposure through a variety of printing techniques. His images exceed the moment of capturing and reach beyond their frame. Braeckman finds the subjects for his photographic work in his immediate environment. They are often undefined places or spaces, preferably interior views. For the Biennale, Dirk Braeckman will create a new set of monumental photos and present them tailored to the architecture of the pavilion.
Dirk Braeckman is one of the most prominent Belgian artists of the moment. He has presented his work in numerous solo and group exhibitions both at nationally and internationally.
1. 27.1 / 21.7 / 045 / 2014, 2014
2. E.E.-A.A. 11 & F.E.L.S., M – Museum, Leuven, 2011
© Dirk Braeckman - Courtesy of Zeno X Gallery, Antwerp
Belgian artist Edith Dekyndt was selected for the main exhibition 'Viva Arte Viva'.
Dark Matter Games is an art project that aims to develop and present innovative and socially engaged art
practices that often fall out of the scope of more classical art institutions. The project is curated by S.a.L.E Docks & workspacebrussels.
Belgian artists Pierre Alechinsky, Michaël Borremans, Marcel Broodthaers, Berlinde De Bruyckere, Thierry De Cordier, James Ensor, Ann Veronica Janssens, Jan Kersschot, Sofie Muller, Leon Spilliaert, Koen Van den Broek, Angel Vergara, Jef Verheyen, Rik Wouters were selected in the exhibition INTUITION by Axel Vervoordt and Daniela Ferretti
Belgian artists Koen Vanmechelen and Jan Fabre were selected for the exhibition Glasstress in the Palazzo Franchetti.
Belgian artist Frederik De Wilde was selected for the exhibition Hyperpavilion in the Arsenale Nord.
As a collateral event of the 57th Venice Biennale, the exhibition traces Jan Fabre’s output since its early days, prompting a philosophical, spiritual and political reflection on life and death centred on the crucial notion of metamorphosis, presenting works in glass and bone produced between 1977 and 2017.
At the 57th Venice Biennale, the imposing, twelve-meter high installation Protected Paradise of Belgian artist Koen Vanmechelen makes a striking statement about the stance of the human animal on a rapidly transforming planet. The mixed media installation towers above the magnificent garden of the Palazzo Franchetti, a few steps away from the Grand Canale. It consists of two bronze trees, a 5m chicken claw, glass, marble and glass fiber egg and an impressive cage made by Eco-oh! out of recycled material.
Belgian artist Peter De Cupere was selected for the exhibition COMMAND-ALTERNATIVE-ESCAPE in the Spazio Thetis Gardens.
Belgian artist Cédric Van Parys was selected for the exhibition Swatch Faces in the Arsenale.
Belgian artists Isabelle Belloi, Gerard Kuijpers, Philippe Leblanc, Antoine Rose, Guy van den Bulcke, Kris Vervaeke were selected for the exhibition Personal Structures in the Palazzo Bembo and the Palazzo Mora.
Belgian artist Alexendra Dementieva was selected for the exhibition Hybris - Monsters and Hybrids in Contemporary Art.
Flanders Arts Institute, Wallonia-Brussels Federation, BOZAR - Centre for Fine Arts Brussels, FOMU - Fotomuseum and M - Museum Leuven
are happy to announce an online special on Belgian contemporary photography in the framework of the Belgian Pavilion at the 57th Venice Biennale.